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- "Any changes to the lineup tonight, Guy?".
- With a wry smile he answers: "I've put Aaron Downey in the game tonight, since you never know with Neil and McGrattan."
Nice! Let's get it on!
An Ottawa resident's take on the world of (some) sports.
"I don't expect sympathy...but I hate the Eagles. They
gave games away to the Giants, Saints and Bucs. They have no idea how to close,
or start a game for that matter. They play in the 3rd quarter and that's it. If
I was Jeff Lurie, I would fine each of the player 3/4 of their salaries until
they decide to play 4 full quarters of football. I'm not even kidding, I don't
know if that's allowed by NFLPA standards but I would try. Why would I give
someone a full salary if they are only giving me 1/4 effort? There was a time
when I would say that the better team lost those games but no more.
Next week, they lose at home to the Jags. Write that down!
The only thing they are good for is fantasy points.
McNabb says they are a Superbowl team... they aren't even a
playoff team and should they by some freak chance make the playoffs, don't
deserve to be there."
Then we got on the topic of Nick Saban saying: "I don't know how to coach mess-ups", clearly in reference to his frustration that no matter what he says to the players, they are still making idiotic mistakes. Ital-Dean's take?
Hey I have no problem with that...
I think more coaches should do it, I wish Andy Reid would do it (although I often find myself questioning his choice of play calling). "Professional" (and I use that term
loosely) players are paid to play 4 quarters of football. By buying tickets to
the games, watching games on TV and buying the merchandise I, as a fan, am
paying for their salaries. In return I expect to see my team play 4 quarters of
football and if they don't, bench them, call them out, fine them, whatever
works.
And to think I was getting down on myself for hammering away at the Dolphins. I can certainly sympathize with Ital-Dean.
MNF Game Update: The Drew Bledsoe era is OVER. Tony Romo into the game at halftime. Now we'll see just what Cowboys fans were clammoring f- INTERCEPTION! On his first pass. Ladies and Gentlemen: Tony Romo.
Changing gears: something else I noticed is the unfortunate plight of every team that won a championship pre-merger. Although football has been played in the States for over 80 years, we only acknowledge the winners of the 40 Super Bowls. For example, we consider the Steelers and Cowboys to have won the most football championships with their five respective Super Bowl victories. Take a closer look, however, and you'll see that many teams have won more than five championships, including the Green Bay Packers (11 + 3 Super Bowls), Chicago Bears (8 + 1 Super Bowl), and New York Giants (4 + 2 Super Bowls). It just seems like we're short-changing the players and coaches of those past champions when we only glorify Super Bowl victors.
Non, TA mére!With past legends in mind, I hearken back to last Monday's halftime celebration of former Cardinal great Dan Dierdorf. On the surface, everything about the ceremony was great; a fantastic former player getting recognized on a rare Monday Night performance for his former team, fans giving said player much adulation, former player getting teary-eyed as he gives the crowd a grateful wave. All good, right? Normally, no problem. Here's my beef: these were not his fans. The Arizona crowd never saw Dierdorf play, unless it was on TV, since his playing days were with the ST. LOUIS Cardinals. I acknowledge that this is a conundrum for franchises that have moved. But ask yourself this: wouldn't you feel awkward if the Phoenix Coyotes decided to raise Tomas Steen's jersey to the rafters of Glendale Arena? I don't think there's anything wrong with it, but it does feel a little "off".
You'll notice that one of the themes of this blog is certainly an impatience with the sports television product, as it is presented to us. I will often cite examples of instances where the television personalities will say something that simply make you scratch your head and wonder what planet they're from, or how dumb they think we are. One such example came Sunday afternoon. With eight minutes gone in the game, 1st quarter, the colour analyst for the Green Bay vs. Miami game lets this one fly: "Favre has been under duress for much of the afternoon." Really? We can say "afternoon" to represent two series? Or maybe this gentleman knew something we didn't, and Favre had been under duress in the locker room, or on the team bus to the stadium? If he did, he didn't tell us what it was. Perhaps Brett was ambushed by angry Cajuns because he lets his French name get massacred in the media? Or maybe Aaron Rodgers' mother keeps leaving threatening notes for Brett in his luggage? We'll never know. I realize the analyst's job is not an easy one, there's lots of pressure and the director is usually yelling stuff in your ear, but you have to wonder if a trained journalist could do a better job than these recycled jocks.
One of those recycled jocks, Troy Aikman, had a shocking moment on Sunday. During the Washington vs. Indianapolis game, Santana Moss took issue with a hard hit laid on him by Colts cornerback Jason David. In retaliation, Moss got up, rushed over to David (who was walking away) and head-butted him in the back of the neck. Aikman's reaction? Giggled like a little girl. Seriously! He started laughing and treating it like "boys will be boys". Two things allowed this happen, in my opinion:
1. Joe Buck, his regular broadcast partner, was not with him this week since he is doing the World Series for Fox. I can only imagine how "shocked" and "appalled" Buck would have been by such a "disgusting act" (actual quotes from Buck on other NFL related occurrences). Never would have Aikman even dared to laugh with Buck in the box with him.
2. Jason David is not a quarterback. Try imagining Aikman's reaction if, say, Shawn Taylor had done the same thing to Peyton Manning. Think he would have giggled and brushed it off?
And that's this week's Pimple.
Enjoy!
Has there ever been a better three song combo to kick off an album? Led Zeppelin IV certainly rivals The Joshua Tree in such a venture and I’m sure one of the band’s advocates could make a strong case, but I’ll stick to my guns and nominate U2’s Grammy-winning offering.
The Joshua Tree is held in the highest esteem by most U2 fans and for me only Achtung Baby reaches loftier heights. I was 10 years old when U2 released The Joshua Tree, and it remains an integral part of my childhood. U2 were cool even though they weren’t trying to be. In fact, take a look at the videos from the album’s singles and try to picture them in the same vein as Bon Jovi, Motley Crue and Poison at the height of their hair band successes – the barometer of what was “cool” at the time. It’s practically impossible to do, because U2 always marched to the beat of Larry Mullen’s drum. In fact, the videos would probably fit in to the current video landscape without raising an eyebrow.
The album pierced through all the make up and hair of the 80’s to become one of the best-selling albums of the decade. Song-by-song I will take you into The Joshua Tree, beginning of course with the three aforementioned gems, timeless pieces that will be remembered fondly even after U2 decide they’re through with conquering the musical spectrum.
Where the Streets Have No Name
It comes at you as if you’ve awakened at dawn, rays of sunshine racing towards you across the horizon, a fresh slate empowering you to tackle the day however you see fit. These are the images ingrained into my head when I hear the dreamy opening to Where the Streets Have No Name (and this before a single guitar chord is struck).
When The Edge gradually strolls in with that unforgettable delay riff, your spirits are lifted and your batteries are immediately recharged. Many interpretations can be spun from the song’s lyrics, but for me it’s always been a song of hope and a prayer to what can be. At the same time it is also an invitation to your closest love, an invitation to follow you wherever you are going, no matter what:
Where the Streets Have No Name
We’re still building then burning down love
And when I go there, I go there with you…
Some say Bono meant the title as a metaphor for Heaven, but for me it’s an allusion to a destination that hasn’t been plotted.
I Still Haven’t Found What I’m Looking For
A gospel song that took the world by storm upon its release, the subtleness of the ballad was key to its success. Had Bono decided to sing “I’ve yet to find God, but I’ll keep looking”, it wouldn’t have gone over so well. Making it accessible to the masses and allowing it to be interpreted by each individual: therein lies its appeal.
I remember thinking how freakishly long Bono’s finger looked in the video, when he shakes it at the camera. The
With or Without You
U2 don’t really write love songs. They choose to be honest about the difficulties of love, relaying their experience and digging deep into the issues facing couples. When they do write a song that glorifies love, they seem to always add a caveat. In the case of With or Without You, the message is: “If I’ve won your love, there’s nothing left worth winning. If I lose you, I’ve lost everything.” When Bono utters “With or without you I can’t live”, he’s alluding to that very conundrum where you’ve met someone that should you win, or lose, there is no reason to go on because he/she is everything. Love song indeed.
Someone may correct me on this, but I believe the Edge’s use of a magnet over his guitar - which produces the wail you hear in this song – was a pioneering move. It was certainly the first time I heard it. That wail is such a mood-setter. Along with Adam Clayton’s fantastic baseline and Larry Mullen’s deceptively difficult drum beat, the song arduously plows through the conflicted thoughts of a man enslaved by his feelings for his lover.
A true-to-life characterization of the problems of blissful love – exactly the kind of insight into the human condition we expect from the biggest band in the world.
Bullet the Blue Sky
This song, recorded almost 20 years ago, has continued to feature in U2’s live show even though it was never released as a single. Its staying power can be credited to the song’s powerful anti-American foreign policy message, which keeps gaining relevance with every illegal American incursion and Empire-building move.
The song is rife with military and religious imagery - from Jacob’s story of redemption to the aching description of bombs striking fear into innocent women and children - this song brings us the story of the victims, the aggressor and their relative detachment from one another.
Again, subtlety is the lyrical key. For example, take this quote from the song’s spoken-word verse:
This guy comes up to me
His face red like a rose on a thorn bush
Like all the colors of a royal flush
And he's peeling off those dollar bills
Slappin' 'em down
One hundred, two hundred
The message? Money is to be made from the deaths of civilians, and Capitalists are bound to line up. American society is detached from the horrors of its foreign policy, absolving itself of blame and convincing itself that people will run into its arms, as the final verse portrays:
Across the field you see the sky ripped open
See the rain through a gaping wound
pounding on the women and children
who run...
Into the arms...of
Perhaps that’s what Bono was alluding to when he brought up Jacob’s story of Redemption (Genesis 31:11). Jacob has performed sinful deeds, but he is made Prince of Israel by God. Jacob wrestled the Angel and the Angel was overcome.
Musically, I am drawn to Adam’s two-note bass line. This is most likely the simplest bass performance of any U2 song, but its simplicity mirrors the plodding determination of the people in these victimized countries to resist being overcome – militarily, if Larry’s drumbeat is any indication.
Running to Stand Still
An understated song, it is the beautiful story of a young girl looking to break free from this terrible addiction. She realizes that her generation is being eaten alive by this plague, and vows to cleanse herself:
And so she woke up
Woke up from where she was
Lying still
Said I gotta do something
About where we're going
The album version, although powerful in itself, does not do justice to the live performance of the song. Do yourself a favor and find a version of U2’s rendition of this song in
Thacherism spread like a plague across the British landscape during the 80’s. There wasn’t a worker’s union or a third world country that couldn’t be brought to its knees in the Iron Maiden’s view. Red Hill Mining Town is a capsule of the despair Thatcher brought to small industrial towns during her reign.
The nationwide strikes tore families and communities apart. Men were forced to make a moral stand at the expense of their families having bread on the table. It lead to many people to cross picket lines and be labeled scabs and traitors.
A very painful period in modern British times, this song is a testament to the hardships regular blue-collar people suffered through in order to fight the government’s corporate pandering.
In God’s Country
“Desert sky, dream beneath the desert sky”
This song is plastered with vivid imagery contrasting
Sad eyes, crooked crosses
In God's country
Trip Through Your Wires
To me, this is the weakest song of the album…which is saying something. A bluesy offering about surrendering yourself to your woman in order for her to lick your wounds. I could be wrong, mind you, since I haven’t spent much time analyzing this one. It has never captured my imagination.
One Tree Hill
This dreamy little tune is loaded with meaning for the band. On the one hand it speaks of corrupt government in
Exit
I really love this song. It is dark and brooding, and rightfully so since Bono inhabits the twisted mind of a serial killer for its duration. I’m a sucker for songs with slow buildups culminating in powerful crescendos, and Exit delivers with aplomb. I especially like when Edge’s guitar erupts into a solo, Larry’s cymbals thundering in the background. Best listened to with the lights out, when dark thoughts haunt you.
Mothers of the Disappeared
Midnight, our sons and daughters
Were cut down and taken from us
Hear their heartbeat
We hear their heartbeat
In the wind, we hear their laughter
In the rain, we see their tears
Hear their heartbeat
We hear their heartbeat
The winless teams try to reverse their fortunes like so:
Of all these teams, which one will keep a "0" in their record the longest? Undefeated teams are harder to predict, in my opinion, than winless teams. Oakland were able to put up a fight against the Browns, and I think the Browns are better than the Niners so that rules out the Silver and Black. Detroit have been close in a couple of their games against decent teams, so theyr'e out. Tampa are not as bad as their record shows. Tennessee, however, are just plain bad.
As for the undefeated teams I'm obviously leaning toward Indy, in Week 5 at least. Baltimore faces a tough test in Denver, as do the Bears facing the Bills.
Therefore, my pick for the team that will maintain a ZERO in their record the longest is Tennessee. Vince Young faces a long, hard season - he'll be hard-pressed to find a win anywhere. What do you think? Give me your picks in the comment section and we'll glorify the winners when the results are official.
Enjoy the games.
P.S. Congrats to Kimya and Jason, welcoming Baby Eleyna into the world this week. Yes, Jason is now the father of a baby girl. Serge the Psycho, start briefing your boys.